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[Πληροφορίες Καθηγητών]

Πληροφορίες Καθηγητών

[ροζ θορυβος]

Attack on Titan Season 2 Opening - Shinzou wo Sasageyo
γιατι να γαμαει τοσο αυτο το anime, ειναι αδικο για τα υπολοιπα anime και σειρες 
<a href="https://www.youtube.com/watch?v=CID-sYQNCew" target="_blank">http://www.youtube.com/watch?v=CID-sYQNCew</a>

[Επίδοξος]

πάλι αποκαλύφθηκες 

[WalkingTaylor]

https://www.youtube.com/watch?v=E3LeZNlI0Xg
♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪

[Katarameno]

Hexstatic feat. Alien Toy, Cosmos & Jimmy Saville • 'Auto'

<a href="https://www.youtube.com/watch?v=bPrT0Fzzwsg" target="_blank">http://www.youtube.com/watch?v=bPrT0Fzzwsg</a>

https://www.youtube.com/watch?v=bPrT0Fzzwsg
https://www.youtube.com/watch?v=R6owju0X9NM
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[phantomduck]

Bauhaus - She's In Parties
<a href="https://www.youtube.com/watch?v=Qxqq5vahHKk" target="_blank">http://www.youtube.com/watch?v=Qxqq5vahHKk</a>

[Katarameno]

17 λεπτο χάσιμο...
Φοβερό Remix, περιέχει περισσότερη ή όλη από τη συζήτηση / συνέντευξη από την οποία οι Orb πήραν το θρυλικό sample για το θρυλικό κομμάτι τους.

The Orb • 'Little Fluffy Clouds' [Mercado Mix]

<a href="https://www.youtube.com/watch?v=roGZ8-iCKDI" target="_blank">http://www.youtube.com/watch?v=roGZ8-iCKDI</a>

https://www.youtube.com/watch?v=roGZ8-iCKDI
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Μακάρι να υπήρχε και σε καλύτερη ποιότητα ήχου 

[Katarameno]

17 λεπτο χάσιμο...
Φοβερό Remix, περιέχει περισσότερη ή όλη από τη συζήτηση / συνέντευξη από την οποία οι Orb πήραν το θρυλικό sample για το θρυλικό κομμάτι τους.

The Orb • 'Little Fluffy Clouds' [Mercado Mix]

<a href="https://www.youtube.com/watch?v=roGZ8-iCKDI" target="_blank">http://www.youtube.com/watch?v=roGZ8-iCKDI</a>

https://www.youtube.com/watch?v=roGZ8-iCKDI
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How we made
Electronic music

Tue 7 Jun 2016 08.00 BST

Interview
How we made the Orb's Little Fluffy Clouds
Dave Simpson
‘The song still follows me around. There’s a beer named after it now – and a loaf of bread’



‘I though it was too poppy, but people loved it’ … the Orb’s Alex Paterson. Photograph: PYMCA/UIG via Getty Images

Youth, songwriter and producer
We started making acid house tracks before it was called acid house. It was electronic indie dance music, really. I was sharing a council flat with Alex in Battersea, which had a bedroom studio. Jimmy Cauty from the KLF, who’d been in my band Brilliant, came round a lot and Andrew Weatherall lived upstairs. Alex and I started a label called WAU! Mr Modo, which stood for weird and unusual. It became a community.

Me, Jimmy and Alex were DJs at the Land of Oz, this amazing club night at Heaven. Working-class football hooligan cats came in from all over London, on ecstasy for the first time. They were big heavy guys who’d normally be beating the crap out of each other, but suddenly they’d be playing with a pocket calculator for half an hour, then give you a hug.

We set up the first chillout room there, the White Room, playing ambient music and film soundtracks. No one danced; they were all lying down. There were five or six turntables, and we’d play different records all at once. We thought: “Why don’t we do this in a studio?”

Jimmy and Alex started making records as the Orb, including the single A Huge Ever Growing Pulsating Brain That Rules from the Centre of the Ultraworld, which was built around a sample of Minnie Riperton’s Lovin’ You. People described it as ambient house for the E generation. Jimmy and Alex were making an album called Space when they had a big argument. Jimmy stormed off, took all of Alex’s bits off the record and released it under his own name. Alex was mortified. I told him not to worry – we’d make a record that was even better.

A fan who worked in a record shop in Birmingham sent me a tape with a note saying it would be perfect for the Orb. On one side, Pat Metheny was playing Steve Reich’s Electric Counterpoint. On the other was an interview with Rickie Lee Jones. Someone asked her: “So what were the skies like when you were young?” and she launched into a trippy monologue about stars and clouds. I sampled it and put it over a basic pulse. That was the start of Little Fluffy Clouds.

Alex Paterson, songwriter and producer

Youth and I went to school together, and I was one of the pallbearers at his father’s funeral. You don’t get closer than that. So when Jimmy and I fell out and Youth said we could make a better record together, it was a challenge.

He plays a bassline and a keyboard riff, but Little Fluffy Clouds is basically a song made from samples. I took a whistling harmonica from an Ennio Morricone soundtrack, some of the Steve Reich song and some drums from Harry Nilsson’s Jump into the Fire, but slowed them right down. I kept that secret for years. And not many people know that Lee “Scratch” Perry’s on there, either. I’m not saying which of his tracks we used, so good luck finding it.

Rickie Lee Jones wanted lots of cash for her vocal. But Steve Reich​ was a proper gentleman

Youth had just had a massive hit with Blue Pearl’s Naked in the Rain. When the record label Big Life signed Blue Pearl, they wanted a second act to develop and chose the Orb. Youth and our sound engineer Thrash made a short version of Little Fluffy Clouds to release as a seven-inch single. I thought it was too poppy, but people loved it.

Once it was a smash, Rickie Lee Jones wanted some cash for our use of her vocal, so the record company coughed up $5,000. Years later, we got a letter from Steve Reich’s lawyers, but he was a proper gentleman: he wanted 20% from then on and asked us to do a remix of one of his tunes, which we did.

It’s a song that follows me around. There’s , and I just found an Italian bread called Little Fluffy Clouds at Brixton market. When I moved house, I came across the original cassette tape that fan sent to Youth. Some time ago, the record company even suggested I interview Rickie Lee Jones. It’s a shame it never happened. My first question was gonna be: “So what were the skies like when you were young?”

https://www.theguardian.com/music/2016/jun/07/how-we-made-the-orb-little-fluffy-clouds-interview
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Samples

"Little Fluffy Clouds" makes extensive use of clips from an interview with American singer Rickie Lee Jones[5] in which she recalls picturesque images of her childhood. Critics and fans sometimes attribute the odd nasal tone of Jones' voice to drug use, though Jones later said she had had a heavy cold.[6] The samples are widely believed to have come from a conversation between Jones and LeVar Burton on the children's television program Reading Rainbow,[3] but in fact originated from an interview disc that was issued with some promotional boxed copies of her album Flying Cowboys. The interview was not conducted by Burton.[7] The interviewer is not identified on the recording or in the boxed set's liner notes, though a 1993 profile in The Independent identifies him as "an American DJ" with a "syrupy, Simon Bates-style tone."[8]

Interviewer: "What were the skies like when you were young?"
Jones: "They went on forever – They - When I w- We lived in Arizona, and the skies always had little fluffy clouds in 'em, and, uh... they were long... and clear and... there were lots of stars at night. And, uh, when it would rain, it would all turn - it- They were beautiful, the most beautiful skies as a matter of fact. Um, the sunsets were purple and red and yellow and on fire, and the clouds would catch the colours everywhere. That's uh, neat 'cause I used to look at them all the time, when I was little. You don't see that. You might still see them in the desert."

Jones' record company was upset at the unauthorized use of her voice and initially sought to pursue a claim via the legal system.[3] Big Life chose to settle out of court for an undisclosed sum of money for use of her voice on The Orb's recording: in 2016, Paterson said the record company paid $5,000 to use the sample.[9] Asked about the sample in an interview years later, Jones referred to The Orb as "those fuckers."[10]

The song also uses a harmonica sample from Ennio Morricone's The Man With The Harmonica (from the film Once Upon a Time in the West) and parts of Electric Counterpoint, a piece for multi-tracked guitars composed by Steve Reich and recorded by Pat Metheny. According to Glover, the inspiration for the track came when an Orb fan who worked in a Birmingham record shop sent him a tape with Electric Counterpoint on one side and the Rickie Lee Jones interview on the other.[9] Reich was "genuinely flattered"[11] by The Orb's use of his work and instructed his record company not to sue.[12] Despite this The Orb did receive a letter from Reich's lawyers several years later, but Paterson described Reich as "a proper gentleman: he wanted 20% from then on and asked us to do a remix of one of his tunes, which we did".[9] Alex Paterson also suggested that the drum track is sampled: “If anyone actually knew where the drums on 'Little Fluffy Clouds' came from, they'd all just die, but I'm not at liberty to tell. Record companies have always warned me, ‘Don't tell anyone where you got your samples until we get them cleared!’”.[13] He later said that the drum track was sampled from Harry Nilsson's album Nilsson Schmilsson,[14] and others have specifically identified this as a sample of Jim Gordon's drum solo from "Jump Into the Fire", slowed down approximately from 45 to 33 rpm.[15] The use of a slowed-down "Jump Into the Fire" was acknowledged by Paterson in a 2016 interview with The Guardian, in which he also said the track included a Lee "Scratch" Perry sample.[9]

In 2006 a previously uncredited sample from "Little Fluffy Clouds" was recognised by MTV label director Dan Waite, who identified the first voice heard on the song as that of his cousin John Waite. A 1990 John Waite BBC Radio 4 broadcast for the programme You and Yours was sampled and features at the beginning of the track. John Waite can clearly be heard saying, "Over the past few years, to the traditional sounds of an English summer, the drone of lawnmowers, the smack of leather on willow, has been added a new noise...". In 2013 the Orb management asked John Waite to join them on their 25th Anniversary tour to read the classic line live on stage.

https://en.wikipedia.org/wiki/Little_Fluffy_Clouds
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The Orb • 'Little Fluffy Clouds' [℗ & © 1991, Big Life / Island Records]

<a href="https://www.youtube.com/watch?v=m8s78iWfVHQ" target="_blank">http://www.youtube.com/watch?v=m8s78iWfVHQ</a>

https://www.youtube.com/watch?v=m8s78iWfVHQ
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Provided to YouTube by Universal Music Group
Little Fluffy Clouds · The Orb
Adventures Beyond The Ultraworld
℗ 1991 Island Records, a division of Universal Music Operations Limited
Released on: 1991-01-01
Producer, Studio  Personnel, Mixer: Alex Paterson
Studio  Personnel, Mixer: Martin Glover
Associated  Performer, Guitar: Steve Reich
Studio  Personnel, Engineer: Greg Hunter
Studio  Personnel, Engineer: Thrash
Composer  Lyricist: Alex Paterson
Composer  Lyricist: Martin Glover
Composer  Lyricist: Steve Reich
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Η Rickie Lee Jones



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The Orb • 'Little Fluffy Clouds' [Less Fluff Mix]

<a href="https://www.youtube.com/watch?v=7DAhIPRvjqk" target="_blank">http://www.youtube.com/watch?v=7DAhIPRvjqk</a>

https://www.youtube.com/watch?v=7DAhIPRvjqk
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[Katarameno]

Ωχ γιατί φαίνονται τόσο χάλια οι καρδούλες και οι νότες μέσω mthmmy? Τι κάνατε πάλι αρκουδέηδες? Παλιά φαινόταν ωραία.

Να γραφεί ένα σκριπτάκι που να κάνει replace τις καρδούλες και τις νότες σε λιγότερες όσο το μήκος του link του YouTube , μόνο όταν  μπαίνει ο χρήστης από mthmmy 
Ακόμα ?

sent from mTHMMY 

[Katarameno]

Μια μπαλλάντα από τον ένα από τους 2 Orbital  

Paul Hartnoll • 'Nothing Else Matters' [LP: 'The Ideal Condition'][℗ & © 2007, ACP Records]

<a href="https://www.youtube.com/watch?v=SyBiIpCC0y8" target="_blank">http://www.youtube.com/watch?v=SyBiIpCC0y8</a>

https://www.youtube.com/watch?v=SyBiIpCC0y8
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Provided to YouTube by The Orchard Enterprises
Nothing Else Matters · Paul Hartnoll (Orbital)
The Ideal Condition
℗ 2007 ACP Recordings
Released on: 2016-01-29

Lyrics :

Are you happy now
That you're on your own?
Like a ghostly shadow
Is your heart like stone?
I'll make you feel whole
I'll make you feel whole
Cuz nothing else matters
Nothing else matters
But you
But us
Nothing else matters
Nothing else matters
But us
But us
Well the edge gets closer
You'll slip and fall
You'll lose your shadow
I'll hear you call
Body to body
Scratching claw
Cut so deeply
I'll hear you call

[Katarameno]

Cake • 'Never There' [LP: 'Prolonging the Magic'][℗ & ℗ 1998, RCA Records, a division of Sony Music Entertainment]

<a href="https://www.youtube.com/watch?v=wD0iD2oides" target="_blank">http://www.youtube.com/watch?v=wD0iD2oides</a>

https://www.youtube.com/watch?v=wD0iD2oides
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♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪

Provided to YouTube by Sony Music Entertainment
Never There · Cake
Prolonging the Magic
℗ 1998 RCA Records, a division of Sony Music Entertainment
Released on: 1998-02-05
Composer, Lyricist, Producer: John McCrea
Electric  Guitar: Rusty Miller
Electric  Guitar: Tyler Pope

Το πιο αστείο του κομματιού είναι η "χορωδία" από τα καψερά πανκιά από πίσω που πετάνε με "νευράκια" τα: "baby" / "you're never there"  / "hey" "hey" 

[pentium4]

TIME TO SLEEP FEAT LOCAL SUICIDE - FISHERMAN SOLITUDE

<a href="https://www.youtube.com/watch?v=jTGRgUpmThU" target="_blank">http://www.youtube.com/watch?v=jTGRgUpmThU</a>

[Karaμazoβ]

Aufbruch - Für Ulrike

<a href="https://www.youtube.com/watch?v=f4t-zcEyuqg" target="_blank">http://www.youtube.com/watch?v=f4t-zcEyuqg</a>

[Black Velvet]

Siouxsie and the Banshees - Hong Kong Garden

<a href="https://www.youtube.com/watch?v=w0wTIwfRJtI" target="_blank">http://www.youtube.com/watch?v=w0wTIwfRJtI</a>

[Thunderlord]

Noel Gallagher - Half The World Away

<a href="https://www.youtube.com/watch?v=4e6oDGfLZrU" target="_blank">http://www.youtube.com/watch?v=4e6oDGfLZrU</a>

Τη studio version βέβαια, άλλα πάλι κι εδώ τρομερό είναι

[Katarameno]

Για ατελείωτα repeat 

Le Grande Boofant • 'G String Underbeard' [℗ & © 2002-03-04, Fabric]

<a href="https://www.youtube.com/watch?v=IPOne12M3YY" target="_blank">http://www.youtube.com/watch?v=IPOne12M3YY</a>

https://www.youtube.com/watch?v=IPOne12M3YY
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♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪♪

Provided to YouTube by PIAS
G String Underbeard · Le Grande Boofant
Fabric 03: Jon Marsh
℗ Fabric
Released on: 2002-03-04
Producer: Aaron Trinder
Producer: Chris Butterworth
Composer: Chris Butterworth
Composer: Aaron Trinder

Διαολεμένο βιολί ειδικά στην αρχή, έτσι ένα σασπένς, τι θα γίνει παρακάτω, κομματάρα.
Παίζει να το άκουγα 2 μέρες σερί (ολημερίς κι οληνυκτίς). Σε repeat με τα αντίστοιχα tools κολλάει τέλεια η αρχή με το τέλος του.